If this doesn't work go to a forum for the synth you have and ask about retriggered LFOs and LFO Repeat presets. You can hear some great ARP tricks as well as brilliant ideas on Mysterious Traveller, Tale Spinnin', etc.etc. Josef Zawinul actually was who inspired this guy.
This is an ancient design, very simple actually, but the sound was huge live. On Omnipshere 2 polyphonic LFO will not work. It's actually how a Hammond Player/organist is trained.Īlways holding down a root, fifth or octave while playing intervals in between. When playing this keep in mind the LFO is doing the work for you, just hold down a note, then 2, then release the first note when playing the third. Now you can further tweak the sound using various degrees of LFO and EG. Once you start hearing the modulation go to your VCA and add sustain. Start at 0 and when you hit 25% with a rate of 2.660Hz, maybe the sound will start evolving, amounts could vary from synth to synth. Now take an LFO and modulate the shape/width. With the shape/width at 0 it sounds like a Square Wave.Īdd width/shape amount until you start hearing a Saw Wave creeping in, stop. It's a single Oscillator, preferably a CEM Pulse emulation if you have it. the built in toggle switch on the vent, as well as the remote foot switch are difficult to operate in comparison to the half-moon, in addition you don't know what position you're in apart from hearing the tone or looking at the lights.Īrguably the smallest piece of gear I have that has made the biggest difference for me - MUST BUY for any organ player IMHO I've been meaning to start a thread on this - I got an Ashby Gigger Half Moon Switch a couple months ago - I use it on my C2 as well as on my SK-1. It may be possible, but I have to look into that. I wonder if this Ashby HalfMoon Switch could control the neo vent ii's leslie slow, fast, & off's. It seems this allows you to shift between slow, stop, & fast ultra quickly. I tried switching with my left foot for a while and I just couldn't dig it. You can switch with your left hand in about six nanoseconds.
A button on a clone is not the same thing. I'm going to handle the noise parts by doing several different patches with different LFO's on the filter and create a zone with 1 key splits with each one so I can hit the appropriate noise at the appropriate time.Īlso, MOST "classic rockers" used a halfmoon switch on the lower organ rail. It's close enough now that probably nobody would know the difference, but I can hear the difference when I A/B it with the original, and I'm anal about that sort of thing. Thought maybe somebody might have done this before and could give me something a bit definitive as far as settings on a tape echo. I'm at 800mS now and playing around with different levels and feedbacks on the taps. The Kronos has VA and a "Tape Delay" effect, which really does well for those long repeats where it gets thinner and brighter as it goes.Īnyway, having a little trouble nailing down the delay time and feedback amount on the intro to get the intervals right on the glissando. Trying to do it as close as possible to the studio version, including the intro and all the spacey stuff. So reviving this one, but not for the Organ.got that covered (well, to the best of my ability).